{"id":6959,"date":"2025-05-24T14:04:18","date_gmt":"2025-05-24T12:04:18","guid":{"rendered":"https:\/\/rencartaumelies.org\/?p=6959"},"modified":"2026-05-30T15:03:18","modified_gmt":"2026-05-30T13:03:18","slug":"cours-au-melies-3-7-split-screen-ou-ecran-partage","status":"publish","type":"post","link":"https:\/\/rencartaumelies.org\/index.php\/2025\/05\/24\/cours-au-melies-3-7-split-screen-ou-ecran-partage\/","title":{"rendered":"Cours au M\u00e9li\u00e8s #3.7 : SPLIT-SCREEN ou \u00e9cran partag\u00e9"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Le lundi 6 mai 2025, au cin\u00e9ma Le M\u00e9li\u00e8s de Montreuil, Nachiketas WIGNESAN, critique de cin\u00e9ma, enseignant, anime une s\u00e9ance pour illustrer la notion de montage en \u00ab\u00a0<strong>split screen<\/strong>\u00a0\u00bb ou \u00e9cran partag\u00e9, divis\u00e9 : des extraits de film sont visit\u00e9s :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Life of the american fireman<\/em> (<em>Vie de pompier am\u00e9ricain<\/em>) de Edwin S. PORTER (1903),<\/li>\n\n\n\n<li><em>Suspense<\/em> de Lois WEBER (1913),<\/li>\n\n\n\n<li><em>Napol\u00e9on<\/em> d&rsquo;Abel GANCE (1927),<\/li>\n\n\n\n<li><em>Citizen Kane<\/em> d&rsquo;Orson WELLES (1941),<\/li>\n\n\n\n<li><em>Carrie<\/em> de Brian DE PALMA (1976),<\/li>\n\n\n\n<li><em>500 days of summer<\/em> (<em>500 jours d&rsquo;\u00e9t\u00e9<\/em>) de Marc WEBB (2009),<\/li>\n\n\n\n<li><em>Indiscreet<\/em> de Stanley DONEN (1958),<\/li>\n\n\n\n<li><em>When Harry met Sally<\/em> (<em>Quand Harry rencontre Sally<\/em>) de Rob REINER (1989),<\/li>\n\n\n\n<li><em>Annie Hall<\/em> de Woody ALLEN (1977),<\/li>\n\n\n\n<li><em>The Boston strangler<\/em> (<em>L&rsquo;\u00e9trangleur de Boston<\/em>) de Richard FLEISCHER (1968),<\/li>\n\n\n\n<li><em>Sisters<\/em> (<em>S\u0153urs<\/em>) de Brian DE PALMA (1973),<\/li>\n\n\n\n<li><em>Woodstock<\/em> de Michael WADLEIGN (1970),<\/li>\n\n\n\n<li><em>L&rsquo;affaire Thomas Crown<\/em> de Norman JEWISON (1973),<\/li>\n\n\n\n<li><em>The rules of attraction<\/em> (<em>Les lois de l&rsquo;attraction<\/em>) de Roger AVARY (2002),<\/li>\n\n\n\n<li><em>The green hornet <\/em>(<em>Le frelon vert<\/em>) de Michel GONDRY (2011),<\/li>\n\n\n\n<li><em>Vortex<\/em> de Gaspar NO\u00c9 (2021),<\/li>\n\n\n\n<li><em>Boogie Nights <\/em>(<em>Nuits endiabl\u00e9es<\/em>) de Paul Thomas ANDERSON (1997),<\/li>\n\n\n\n<li><em>The master <\/em>(<em>Le ma\u00eetre<\/em>) de Paul Thomas ANDERSON (2012),<\/li>\n\n\n\n<li><em>Here<\/em> (<em>Ici<\/em>) de Robert ZEMECKIS (2024),<\/li>\n\n\n\n<li><em>Les hommes du pr\u00e9sident<\/em> d&rsquo;Alan J. PAKULA (1976).<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Le cours est suivi de la projection de <strong><em>Carrie<\/em><\/strong> de Brian DE PALMA (1976).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Apr\u00e8s la projection de ce film, courts \u00e9changes avec le public sur ce film et d&rsquo;autres exemples de split screens, en compagnie de St\u00e9phane GOUDET, directeur artistique du cin\u00e9ma.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cours#3.7 Split screen \/ \u00e9cran partag\u00e9\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/X3twVWvvvQg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Bonjour,&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je voulais juste vous f\u00e9liciter pour l&rsquo;\u00e9norme travail de montage et habillage que vous avez r\u00e9alis\u00e9 pour la conf\u00e9rence sur le Split-screen que j&rsquo;ai donn\u00e9 au M\u00e9li\u00e8s en mai dernier.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bravo et merci !&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bien cordialement<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nachiketas Wignesan&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le lundi 6 mai 2025, au cin\u00e9ma Le M\u00e9li\u00e8s de Montreuil, Nachiketas WIGNESAN, critique de cin\u00e9ma, enseignant, anime une s\u00e9ance pour illustrer la notion de [&#8230;]<\/p>\n","protected":false},"author":8,"featured_media":6960,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[78],"tags":[],"class_list":["post-6959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unipop"],"_links":{"self":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/6959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/comments?post=6959"}],"version-history":[{"count":2,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/6959\/revisions"}],"predecessor-version":[{"id":8476,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/6959\/revisions\/8476"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/media\/6960"}],"wp:attachment":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/media?parent=6959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/categories?post=6959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/tags?post=6959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}