{"id":8338,"date":"2026-05-17T21:44:25","date_gmt":"2026-05-17T19:44:25","guid":{"rendered":"https:\/\/rencartaumelies.org\/?p=8338"},"modified":"2026-05-17T21:44:25","modified_gmt":"2026-05-17T19:44:25","slug":"cannes-2026-6","status":"publish","type":"post","link":"https:\/\/rencartaumelies.org\/index.php\/2026\/05\/17\/cannes-2026-6\/","title":{"rendered":"Cannes 2026 # 6"},"content":{"rendered":"\n<p><strong>La Gradiva &#8211; Marine Atlan<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"618\" src=\"https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-1024x618.jpg\" alt=\"\" class=\"wp-image-8339\" srcset=\"https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-1024x618.jpg 1024w, https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-300x181.jpg 300w, https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-768x464.jpg 768w, https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-1536x928.jpg 1536w, https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-2048x1237.jpg 2048w, https:\/\/rencartaumelies.org\/wp-content\/uploads\/2026\/05\/La-Gradiva-1800x1087.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Les Films du Poisson<\/figcaption><\/figure>\n\n\n\n<p>Pr\u00e9sent\u00e9 en Semaine de la Critique. La Gradiva ouvre son bal sur un photomontage pr\u00e9sentant l&rsquo;esth\u00e9tique d&rsquo;un&nbsp;<em>Le Sud,&nbsp;<\/em>la po\u00e9sie d&rsquo;un Chris Marker et une bande son port\u00e9e par des instruments \u00e0 vent offrant une forte m\u00e9lancolie. Autant dire qu&rsquo;on est rapidement captur\u00e9.<\/p>\n\n\n\n<p>S&rsquo;ensuit le long p\u00e9riple d&rsquo;un groupe d&rsquo;adolescents \u00e0 Naples et dans les ruines de Pomp\u00e9i. On est surpris par l&rsquo;opposition de ce th\u00e9\u00e2tre antique et de l&rsquo;insolence et du langage de cette fougueuse jeunesse profitant de ce voyage pour explorer d\u00e9sir et sentiments. Puis on r\u00e9alise que le cadre fait de fresques picturales et sculptures \u00e9l\u00e8ve ce jeu des \u00e9mois \u00e0 une certaine universalit\u00e9. Une sc\u00e8ne en particulier, pr\u00e9sentant deux personnages ayant auparavant \u00e9chang\u00e9 intimit\u00e9 et se trouvant d\u00e9sormais dans la sph\u00e8re du non-dit, capture leur silence avec le regard immortalis\u00e9 des statues qui les observent. Assez sublime, il faut l&rsquo;admettre. Une \u00ab\u00a0cam\u00e9ra d&rsquo;or\u00a0\u00bb, comme on dit \u00e0 Cannes.<\/p>\n\n\n\n<p>La majorit\u00e9 des dialogues ou conversations de groupe sonnent d&rsquo;un grand naturel, voire improvis\u00e9es. Cela renforce d&rsquo;autant plus la qualit\u00e9 des moments d&rsquo;intimit\u00e9 quand les barri\u00e8res se brisent. Des s\u00e9quences oniriques et jeux d&rsquo;\u00e9clairage viennent explorer avec inventivit\u00e9 le d\u00e9sir de nos adolescents.<\/p>\n\n\n\n<p>En parall\u00e8le se construit une qu\u00eate filiale menant \u00e0 la trag\u00e9die. On y retrouve des \u00e9l\u00e9ments de ce myst\u00e9rieux et beau prologue. L&rsquo;histoire s&rsquo;ach\u00e8ve avec sensibilit\u00e9. Du cin\u00e9ma d&rsquo;art, d\u00e9finitivement.<\/p>\n\n\n\n<p>Cem<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Gradiva &#8211; Marine Atlan Pr\u00e9sent\u00e9 en Semaine de la Critique. La Gradiva ouvre son bal sur un photomontage pr\u00e9sentant l&rsquo;esth\u00e9tique d&rsquo;un&nbsp;Le Sud,&nbsp;la po\u00e9sie d&rsquo;un [&#8230;]<\/p>\n","protected":false},"author":54,"featured_media":8340,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-8338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-passion"],"_links":{"self":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/8338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/comments?post=8338"}],"version-history":[{"count":1,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/8338\/revisions"}],"predecessor-version":[{"id":8341,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/posts\/8338\/revisions\/8341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/media\/8340"}],"wp:attachment":[{"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/media?parent=8338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/categories?post=8338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rencartaumelies.org\/index.php\/wp-json\/wp\/v2\/tags?post=8338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}